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| + | ====== artist name : ====== | ||
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| + | ===== jason kahn ===== | ||
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| + | {{intersection:kahn.jpg}} | ||
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| + | ====== title of the piece : chicago ====== | ||
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| + | ====== duration : 61.03 ====== | ||
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| + | licence : do you agree with a copyleft licence as Creative Commons : yes | ||
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| + | ====== a text to present your work : ====== | ||
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| + | «chicago» was a piece i originally composed for a sound installation in | ||
| + | chicago, which was to take place on a busy street. the sound | ||
| + | installation ended up not happening and i was left with this piece. | ||
| + | i am very interested in sound and visual presentations which, on first | ||
| + | look/listen, may appear static but on closer inspection reveal many fine | ||
| + | details–and in the case of sound and video, these details unfolding over | ||
| + | extended time durations. | ||
| + | «chicago» is a work typical of this aesthetic in that one needs to | ||
| + | «stay» with the piece in order to hear where it is going. «chicago» will | ||
| + | function on both the micro and macro levels, however, which is how i | ||
| + | envisioned the piece fitting into the proposed sound installation it was | ||
| + | created for–this is to say, the sound movement in «chicago» would work | ||
| + | in the background of our sonic perception, on the macro level, in that | ||
| + | we would still perceive it and its influence on the surrounding audio | ||
| + | topography; listening in more closely, on the micro level, the richness | ||
| + | in detail of the piece also makes itself apparent. | ||
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| + | ====== links & contacts : ====== | ||
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| + | http://jasonkahn.dfekt.org | ||
| + | http://cut.fm | ||
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